Over the brief campaign (it’ll take most players between five and eight hours to complete) there wasn’t a single noticeable framerate drop – a considerable feat, considering the obsessive attention to detail put into this remake.Īlthough the original Shadow of the Colossus was gorgeous in its own right, Bluepoint Games has outdone themselves, creating every graphical asset from the ground up. Now it follows along at a consistently friendly distance, and manages to make the game even more grand and opulent by finding the perfect angles to showcase its inherent beauty. The camera in the original game had a keen eye for cinematics, but didn’t always play nice when tackling the sixteen beasts. Climbing the Colossi is also significantly less frustrating in general – sure, their major sweeping motions are still liable to keep Wander from making his final blow, but smaller movements don’t faze him nearly as often, and the end result is a much more enjoyable experience. There are now four controller layouts, including the original mapping and some more sensible refinements. Luckily, these issues have been extinguished by Bluepoint Games (the same team that worked on the Ico and Shadow of the Colossus remasters for the PlayStation 3). Its controls were obtuse and unwieldy, the camera seemed to have a mind of its own and the PlayStation 2’s framerate often chugged along while attempting to handle the complex Colossus mechanics. The core gameplay remains perfectly persevered, but the original game had numerous rough spots. At this point, it’s unclear exactly what these coins are used for, though tracking them all down will surely keep returning fans occupied for quite some time. The remake has added mysterious coins that make noises reminiscent of The Last Guardian: the final game that Team Ico ever worked on. White-tailed lizards can be struck with an arrow and their tails consumed to enlarge Wander’s grip gauge, while fruits can be eaten to extend his health bar. Though the Colossi are the sole enemies of the game, there’s smaller collectables strewn across the Forbidden Lands for Wander to gather. If this gauge empties, Wander falls to the ground and has to tackle the boss’ natural puzzle from the beginning. Wander has a health meter that can be whittled down by nasty falls or particularly aggressive blows, but what’s more of an active concern is his grip gauge – a circle that slowly wanes as bosses attempt to fling Wander off their bodies. Wander has a sword and a bow at his disposal, both necessary throughout the game to weaken, distract or get the attention of the Colossi. Some fly ominously in the sky while others charge around recklessly, making it difficult for the player to ascertain the best way to grab on to their fur and begin searching for their glowing weak spots.
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Figuring out how to climb and take down each one is unique and exhilarating. The sixteen titular Colossi are designed as living, breathing puzzles. This basic tale remains untouched in the remake, though it does come to life with detailed character models and a gorgeously-realized world. It’s a simple yet mysterious story and one that fans are still parsing over to this day in an attempt to uncover its finer details. After laying Mono down on a sacred alter, an ominous voice tells Wander that in order to resurrect her, he must slay the sixteen massive beasts known as Colossi that roam the Forbidden Lands. The protagonist, known simply as Wander, enters the “Forbidden Lands” on horseback, carrying the body of Mono, a beautiful young woman who was cursed and killed in her prime. The end result is a gorgeous, deeply-affecting game that shouldn’t be missed by old fans or newcomers itching to see what all the praise has been about. Shadow of the Colossus, the new remake by Bluepoint Games made from the ground up for the PlayStation 4, retains all those qualities set by the original release, and manages to iron out many of the original’s kinks in the process. Its grand vistas, cinematic camera angles, melancholic storytelling, sense of epic scale and ingenious game design all bled together to create a moving and altogether unforgettable experience. Ever since its original release in 2005, Shadow of the Colossus for the PlayStation 2 has become a key piece of evidence in judging video games as an art form.
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